Meet Eleanor Garrard

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Meet Eleanor Garrard

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Meet the maker

Tell us a bit about yourself.

I was born in Reading, England, and moved with my family to the heart of the Yorkshire Dales when I was five. My parents chose to make this move to take over my Mum’s family business, a small department store. I was never interested in being involved with the shop until a few years ago, when it occurred to me how passionate about fashion I actually was. Since then, I’ve played a small role in business development, and gone on buying trips with my Mum to companies such as Seasalt, White Stuff and Great Plains. I suppose unconsciously I’ve become drawn to the industry as it’s what I’ve been brought up alongside!

I was never interested in being involved with the shop until a few years ago, when it occurred to me how passionate about fashion I actually was.

When did you start creating? What has made you want to pursue it?

It’s not been a particularly smooth journey! I’ve always known deep down that I belong in a creative industry, however after achieving As and A+s in my exams when I was 16, I tried to force myself down an academic route. Looking back, that obviously wasn’t right for me. Following burning myself out in my first year of A levels, I dropped out of college and took the rest of the year off to try and overcome some mental health issues. It was amongst the chaos of my life that I started to experiment with art and fashion, and eventually ended up combining the two! From there, people started noticing my designs and actually asking to buy them! My brand was born from a combination of unfortunate circumstances and a ton of accidents, but it ended up being the thing that kept me going! Realizing how happy creating made me is what encouraged me to pursue it more than anything else.

Do you have a favorite project or piece that you’ve created?

While my personal favorite design is my ‘Dino Mother Mary’ tee, my ‘Banana Boob’ design is the gift that keeps on giving. When people see it, their reaction is always the same:

1)      ‘Oh wow bananas as boobs, that so creative!

2)      ‘Wait… is that a snail as a nipple?!’

3)      ‘OMG it has a little nipple piercing on it!! I love it!’

It’s this reaction that always makes it worth it for me! It’s all about the details. Besides that, I’ve become increasingly obsessed with Catholic iconography, and how designers such as Dolce and Gabbana, Jean Paul Gaultier and Christian Lacroix have been inspired by Catholic artwork. I thought I’d put my own spin on it. That’s how Dino Mary was born.

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Can you share with us a few artists or makers that inspire you or your work?

I don’t think I have any particular artists that inspire me, however I am constantly being inspired by other creatives I come into contact with! I’m love how everyone I’ve met is so keen to support one another and exchange knowledge!


What is your creative process like?

Super disorganised and ever evolving! I’m always trying to better my work, and my creative process along with it. 

What is the hardest part about what you do?

Keeping all of the balls in the air, and keeping track of the boring stuff which unfortunately is quite an important part of running a small business.

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Do you have any advice you’d give a young artist hoping to embark on a creative path?

Don’t think about it too much, just go for it! If it’s what you really want, you’ll slowly but surely find a way to make things work. Don’t be afraid to get things wrong too. It happens to me every single day but I know now it’s a necessary part of the learning process. 

What is your workspace like?

A shed. Literally, a glorified potting shed, and sometimes my Mum’s kitchen too.

What are you working on right now?

I have a few more designs in the pipeline which I hopefully will have done in time for Christmas (presents!!)

If or when you find yourself in a creative rut, how do you get yourself out of it?

It really depends on my mood. If I’m in a terrible mood then I can’t try to be creative, because whatever I do will just remind me of how bad I was feeling and I won’t be able to be proud of it. When I’m all out of ideas I talk to my creative friends, and most importantly I do the things that have been piling up and putting pressure on me (which is usually what lands me in the rut.) What probably helps the most is looking to other creatives for inspiration. Pinterest, Instagram, or sometimes children’s books can do the trick! 

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Meet Danni of Awkward Child

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Meet Danni of Awkward Child

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Meet the maker

Tell us a bit about yourself.

I began making clothes at a really young age. It was the dress up box that sparked my excitement for transformation through clothes. It’s my earliest memory of experiencing childlike fun and fantasy that can come from something as simple as a skirt. From then on, I've always wanted to make clothes. Ultimately what my work is all about is unlocking the potential for confidence, joy, escape and transformation through clothing.

Ultimately what my work is all about is unlocking the potential for confidence, joy, escape and transformation through clothing.

Do you have a favorite project or piece that you’ve created?

Because fashion is so heavily dependent on product development, I really focus my love towards what’s to come. My favorite piece is one that I have planned for 2019. I do however love what making rainbow clothing has allowed me to be a part of so far, which in this social climate, is sharing a gender queer and sexually inclusive message.

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What is your creative process like?

It’s somewhat erratic and crazy. One thing I have learned about myself is that I'm a great starter. I get inspired easily and my mad scientist hat goes on. I then throw myself into new ideas. The journey for me is to juggle those ideas and follow them through, which involves having a diary and deadlines that I live my life by. Although they aren't dear diary style personal entries, I keep them at the end of the year like journals because it’s a really detailed documentation of what I do everyday.


What is the hardest part about what you do?

Definitely creating an empire and stability. As a new business and one woman band, things are touch and go and there are no days off. Committing to product is a big risk but I take it day by day. Working in fashion just fills me with such a warmth being able to share clothing with others. That definitely makes it worth any of the stress I have.

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Do you have any advice you’d give a young artist hoping to embark on a creative path?

I think that's a hard one because it all depends on your circumstance, but in my case, success came from just going for it! I try to learn as much as I can along the way and not wait for a perfect time when I feel ready to commit. That moment of feeling ready will never come. There will always be a scary jump and you'll have to take the leap a lot of times in life to progress. You might as well start now!

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What is your workspace like?

My work space is my joyful space! It’s actually really well kept most of the time, as my environment is a reflection of my mental state. I like to keep it as uncluttered as possible, however there's fabric everywhere of every color. I use those saturated colors in my space, like I do my clothes, to not only inspire my creativity but my energy.

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What are you working on right now?

I am currently working on an exciting project with fellow designer Cara Bloom who is a total 90's obsessed fashionista. We are doing the cutest collaboration you could ever imagine! It’s coming out early next year so definitely keep an eye out for that.

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Meet Chloe Treu of Treupots

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Meet Chloe Treu of Treupots

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Meet the maker

Chloe Treu shares with us her journey into the world of pottery.

Tell us a bit about yourself.

My name is Chloe! I'm 23 years old. I've been doing ceramics for about 7 years now. I started in high school ceramics class and fell in love! I got sent away in the middle of my junior year to a intensive wilderness therapy program in the middle of the Utah desert, which was one of the most rewarding experiences that I've ever gone through. Afterwards, I was sent to a boarding school in West Virginia to finish out my high school career. The school had a ceramics program solely for beginners. The teacher there was a beginner too! I worked my way into earning a key to that ceramics studio, at which I spent pretty much all of my free time doing art. That is where I truly realized I wanted to work with clay. Ever since I started working with this medium, it has been where I feel most comfortable and happy. I feel right at home when I am sitting at my wheel in my small studio. My father built me my own studio to come home to right after I finished high school. It was very much a hobby and an outlet for many years. For as long as I can remember, being an artist has always been my dream. I never thought it would come true so soon!

For as long as I can remember, being an artist has always been my dream. I never thought it would come true so soon!

When did you start creating? What has made you want to pursue it?

As I mentioned above, I started creating in high school ceramics class during junior year under the guidance of the best teacher ever, Mrs. Schultis! After high school, I worked in many different restaurants as a waitress. It was never something that I really enjoyed doing, but a job is a job so I stuck it out for a good four years. I needed a break, so I traveled the country with a friend for a month. It was the break that I really needed and wanted. When I returned home, I thought I had my old job to go back to, but it turned out that I didn't. It was right then when I thought to myself, "Well, now is your chance, Chloe! Let's see if we can make this dream a reality." I began to pursue this dream as a real job. That was over a year and a half ago now.

Do you have a favorite project or piece that you’ve created?

In general, my favorite things to throw on the wheel have always been mugs of different shapes and sizes. All things funky! I'm not super into making repeat ware. I like each individual piece to be totally different. I am for sure more of a wheel worker as opposed to a hand builder. It comes more naturally to me.

As far as projects go, my most favorite project that I am a part of is a collaboration between a friend and myself. We make candles! I create the ceramic vessel and she pours her homemade wax candles into them. They are so elegant and such a work of love. The best part about them is that when you are finished burning your candle, you can wash out your vessel and you have a drinking cup!

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Can you share with us a few artists or makers that inspire you or your work?

The first person that comes to mind is Melissa Weiss. She is a potter based out of North Carolina. What inspires me most is her use of wild clay. She excavates and minimally processes all of the clay that is used in her work, which is something that I hope to be able to do at some point in my career. She has a very distinct style and you can recognize her work from miles away. She’s such unique and inspiring woman! Another artist that I discovered when I was in high school and became infatuated with was Simon Leech. I use to watch him work on his Youtube videos almost every day. The way he works and looks as he is working is very soothing. He seems so comfortable and at peace when he is working and talking about the process. I have just always enjoyed watching him work. I am a hardcore visual learner so watching artists work and seeing their differing techniques has been a huge help to me in learning the ways of the clay.

What is your creative process like?

I feel that in order to create the way that I like to, I have to give myself slow mornings. I tend to work all day long with breaks in between. My process includes a to-do list, lots of coffee, dog pets, and sloooow work. I do not like to rush my process. I usually find myself in the middle of five to ten things at once. I work best this way. I like to bounce from task to task to keep my mind fresh and motivated. For example, if I am working on a wholesale order of 70 vessels that are all the same shape and size, I will break it up by throwing some large planters or funky pots in between. Repetitive work makes me bored and feel burnt out, which is a huge no-no when you make your own schedule.

What is the hardest part about what you do?

As a business owner that has grown her following mainly through social media (Instagram), I feel that the hardest part about my work is not getting discouraged by comparing myself to others, whether by comparing numbers or comparing styles. It is really hard to continuously gain interest. I have to constantly be mindful of the work that I post and the times that I post. It is something that has become important for small business owners.

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Do you have any advice you’d give a young artist hoping to embark on a creative path?

Go for it! When people ask me for advice on this topic, my usual response is, "You won't know until you give it a shot!" That is how I went forth with my creative career. It is something that requires a lot of work and it most certainly does not happen overnight. It is so easy to get discouraged, especially towards the beginning, but if it is something that you are truly passionate about then hard work and dedication is the answer.

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What is your workspace like?

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I have my own lil studio. It is equipped with a wheel, a kiln, a slab roller, and everything that I need to make my business work. I have found that I work best alone. Which I the main reason that I have decided to stay in my own space and not branch out to a community studio or otherwise. Over the years I have slowly made the space into my creative cave. It truly feels like my home away from home. I would sleep there if it was large enough, haha! I have decorated all of the walls with works of art by fellow small business owners. Surrounding myself with art is something that is super important to me and my process. It heavily influences me in my day to day life. It is certainly a small space but it is organized and houses everything that I need for where I am at today.

If I’m feeling burnt out or in a creative rut, I will spend a few days hiking in the Catskills, spend time with my dog, and see friends outside of the studio to give myself a chance to miss it. I always have my best ideas when I’m outside of that space.

What are you working on right now?

I am currently working on a huge order of candle vessels and I am so excited about it! To break up the repetitive work I have also been preparing for my next shop update, which includes lots of carving and leaf pressing. Different techniques to mix up the work load is always the way to go for me. I am also working on an awesome collaboration between a crochet artist and myself. We are making hanging planters. She has crocheted up a bunch of hangers for me to fill with pots. They are coming together better than I imagined!

If or when you find yourself in a creative rut, how do you get yourself out of it?

Take a break! Taking the time that I need and the space away from the studio is something that is hard for me. I spend a lot of time there and if I have days that aren't productive, I don't take it lightly. If I'm feeling burnt out or in a creative rut, I will spend a few days hiking in the Catskills, spend time with my dog, and see friends outside of the studio to give myself a chance to miss it. I always have my best ideas when I'm outside of that space, usually when I'm walking aimlessly in the forest. Another thing that I like to do is switch it up from the wheel. I will try out some new hand building techniques to really challenge myself. Recently I have been making a few pinch pots and coil pots here and there. It’s quite meditative because it is much slower than wheel work. I easily get lost in the detail and it is a very refreshing experience.

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Meet Hannah Welch of Carnelian Moon Jewelry

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Meet Hannah Welch of Carnelian Moon Jewelry

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Meet the maker

Hannah Welch shares with us her journey into jewelry making.

Tell us a bit about yourself.

I was born and raised near Detroit, and I moved to New York City when I was eighteen to study fashion. I've been studying at the Fashion Institute of Technology for the past three years as a business student and am finishing up my Bachelor's degree this year. In New York, I got my feet wet with several different internships at design houses and magazines before starting my current internship with a jewelry designer. I actually didn't start selling my jewelry officially until roughly a year ago!

I’ve been drawn to jewelry for the longest time, and for me it has always been my vehicle for individuality.

When did you start creating? What has made you want to pursue it?

I've been creating for as long as I can remember. Growing up, I loved having my hands busy with anything; chalk, paint, knitting, sewing, jewelry making - you name it. I knew that I wanted to pursue some type of creative career, and it ended up transpiring into fashion by the time I moved to New York. As a business student, you don't always get the chance to be creative with your work. Making jewelry slowly turned into my outlet. I've been drawn to jewelry for the longest time, and for me it has always been my vehicle for individuality. When I was living in Paris for a few months last year, I had a lot of time to be introspective and materialize these floating thoughts in my head of a possible jewelry business. Upon coming back to New York with some ideas sketched up, I made a trip to the bead store and then dove right in! I think what makes me want to continue pursuing it is that there is still so much that can be discovered in the process, and there are no limits creatively.


Do you have a favorite project or piece that you’ve created?

My favorite piece that I've created so far probably has to be these abstract face earrings that I make from wire. They were a product of me just creating mindlessly and curiously. I think that's what makes them so awesome. They all look a little bit different, and each face is its own little personality.

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Can you share with us a few artists or makers that inspire you or your work?

I'm really inspired by Frida Kahlo, both her work and her personal style. There's a pair of hand earrings that I make that were directly influenced by the ones that she used to wear. There's so much inspiration to gain from her outfits alone. She was seriously incredible.


What is your creative process like?

My creative process differs every day. For some pieces, I have an exact plan of what I want to make that I plot out in my head for a while before actually making it. For others, I just sit down and start bending wire and something magically transpires from it. Sometimes I just see things on the street or read something in a book that flips a switch! I think the best places I can go to get the gears turning is at the Met or a small coffee shop. Espresso is truly my magic potion.


What is the hardest part about what you do?

The hardest part is being adept to the connection between what you want to create and what your customers want to buy. I think it’s easy to overthink how other people are going to perceive your designs, especially if they are investing money in them.

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Do you have any advice you’d give a young artist hoping to embark on a creative path?

Well, I'd say that I am myself a young designer trying to still pursue this as my career in some way! However, if there are other young people trying to further a creative passion of theirs, I would tell them to go for it. Pursuing something creative can be intimidating, but the feeling you get when others appreciate your work is so worth it!

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What is your workspace like?

My workspace is my apartment. Lots of beads. Everywhere.

Pursuing something creative can be intimidating, but the feeling you get when others appreciate your work is so worth it!

What are you working on right now?

Right now, I'm working on a lot of astrology-centered jewelry. Astrology is a passion of mine so to be finally incorporating that into my jewelry is super exciting!

If or when you find yourself in a creative rut, how do you get yourself out of it?

I see a creative rut as sign to step back or give my mind a break. Meditation, reading or a really long walk help me clear my head and make room for fresh ideas to come in. Talking with friends can help as well. I find that sometimes I have to go beyond my own head to find inspiration.

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